News — southern soul

Even by the standards of his peer group, soul man Bobby Womack led a turbulent, dramatic and complex life. Telling the story in his own words, the book’s opening pages set the tone for the torrid ride ahead. Caught in bed with his teenage step-daughter, Womack is chased down by his wife Barbara who gives him a new side-parting with a bullet from her gun. That Barbara is Sam Cooke’s widow and step-daughter Linda goes on to marry Bobby Womack’s brother Cecil sets a high bar for tortuous relationship dynamics among musical folk. Cooke is pivotal to Womack’s story and...

  “Looking back, I’m really proud of what we achieved in the 1960s” reflected the late Nelson Lemmond of The Tempests. “We made some great R&B. And played with some great talent too. We never performed with Otis or Wilson. But pretty much everybody else in between. At the end of the day though, things started to change. Otis had died, Martin Luther King had been assassinated. Civil unrest was everywhere and there was a militant atmosphere, even in the more progressive areas of the south. People ended up taking sides.” This feeling echoes previous comments made by various session...

The passing of Edwin James Balbier a couple of years ago went virtually unnoticed in UK northern scene circles: indeed few outside of the industry will recall his name. Yet, this individual would be the unwitting driving force behind one of the most popular soul re-issue (if brief) label imprints of the 1970s, even if it was the company’s younger soul music enthusiast employees who shaped the nature of the label arm of the operation. Balbier’s initial interests did not lie in soul music, but more generally in the oldies market. Born in 1930, the Philadelphian had an early career...

The DJs, producers and label owners WLAC DJs Gene Nobles and Herman Grizzard are often cited as the first who braved plugging black music in Nashville in the 1940s, largely through playing jazz records. Individual DJs pivotal to the story of the development of R&B and soul included Morgan Babb and Ted Jarrett at WSOK through the 1950s, then Bill “Hoss” Allen and John “R” Richbourg at WLAC in the 1960s and early 1970s. These DJs extended their role to other related industry activities, including record promotion, label ownership and production, cementing the R&B sound in Nashville’s music history.  ...

The home page of A Nickel And A Nail emphasizes that its wider purpose, beyond being a commercial entity and serving readers interested in exploring the history of soul and R&B, is to contribute to the preservation of that music history through a variety of means, including reviews, blogs, biographies and supporting self-publishing authors. Preservation is not just about holding onto what we know soul music's past. It also requires effort to obtain new insights into past events, to add context, debunk myths and get the stories straight. This is achieved admirably by a number of writers and researchers on...