News — 1960s

The DJs, producers and label owners WLAC DJs Gene Nobles and Herman Grizzard are often cited as the first who braved plugging black music in Nashville in the 1940s, largely through playing jazz records. Individual DJs pivotal to the story of the development of R&B and soul included Morgan Babb and Ted Jarrett at WSOK through the 1950s, then Bill “Hoss” Allen and John “R” Richbourg at WLAC in the 1960s and early 1970s. These DJs extended their role to other related industry activities, including record promotion, label ownership and production, cementing the R&B sound in Nashville’s music history.  ...

The home page of A Nickel And A Nail emphasizes that its wider purpose, beyond being a commercial entity and serving readers interested in exploring the history of soul and R&B, is to contribute to the preservation of that music history through a variety of means, including reviews, blogs, biographies and supporting self-publishing authors. Preservation is not just about holding onto what we know soul music's past. It also requires effort to obtain new insights into past events, to add context, debunk myths and get the stories straight. This is achieved admirably by a number of writers and researchers on...

(A book by E. Mark Windle. Publication date 15 July 2019. Pre-order facility available now). I doubt it was just a moment-in-time thing. Thirty years on, my memory of first hearing Someday echo across the dancefloor at an all-nighter and stopping this young teenager dead in his tracks has not faded. It wasn’t a recording which necessarily broke the mould upon ‘rediscovery’ on the early 1980s northern soul scene. The new open-minded approach and healthy appreciation for musical diversity had already seen to that, whether it be mid tempo, beat ballads, latin soul, early R&B or others  - and the...

It's a bit of a tradition these days for me to provide progress reports of writing projects at particular milestones, partly to inform of course but also for personal reflection on the process and to praise contributing individuals who help 'make it happen'. So then, here we have the Spring update now that The Tempests book is nearly complete. On the whole, the majority of the book is there and the main text has now been proof read. Still-to-dos include some final image copyright permissions and heaps of boring stuff (indexing, pagination etc). The manuscript will be heading to the...

True enough, in the 1960s several recording acts from the eastern seaboard embraced soul music. For some perhaps it was initially as a happy accident. Travelling African-American R&B singers on the circuit arrived in town without a backing band and needed some local talented musicians to support them. Later, musical repertoire would occur more by design. The uniqueness of The Tempests lay in the fact that this homegrown North Carolina outfit known for soulful lead vocals, an unusually large and loud horn section, tight rhythm and heavy bass lines, could claim some commercial success and much critical acclaim. It seemed...